Showing posts with label Madrid. Show all posts
Showing posts with label Madrid. Show all posts

Monday, 7 July 2008

The Skyline of Madrid: a sculpture museum

I remember, as a child, how my mother would tell me off for not looking at the ground when I was walking and running around. As much as I appreciate (now) her caring for my welfare, it is a piece of advice that I always found very hard to heed. I have been a curious spirit all my life: the kind of boy whose gaze wanders about, absorbing all things around, looking for all new kinds of wonders (and ending up more often than not with skinned knees and dirty clothing after tripping in this or that crack in the pavement). Still that urge and restlessness tends to wear off as years go by and it wasn’t until past my teenage, when life put me up on top of a double-decker sight seeing bus for the first time, in my native city, that I reencountered the pleasure of wandering around looking up high. When you are in Madrid, there are many things that you do not want to miss, and the ceiling of this city is one of them.
The trend started around the XIX century, while American cities started their efforts to build their skyscrapers higher and higher, banks and insurance companies in Madrid hired baroque style sculptors in a race to make their home quarters the most evoking and beautiful landmarks of the not so high skyline of the city. And so Madrid became a monumental city, safe under the watch of mythic heroes and figures. Phoenixes, champions, roman aurigas, kings and princes, temples and magical creatures crowned the buildings; some of them have been relocated, to be best admired, in more accessible places, while others have been replaced with replicas in lighter materials, favouring the welfare of the constructions, the originals now in museums, but there are still quite a few to recreate your senses in.
You will find many of them in the axis Puerta de Alcalá – Plaza de España, spanned by the Gran Vía: stand by the famous Puerta de Alcalá and walk down towards Cibeles square keeping your gaze levelled towards Gran Via an Alcalá streets, on the other side of Cibeles; in the confluence of these you will find Metropolis building, formerly home quarters to the insurance company La Unión y El Fenix. Nowadays a Winged Victory crowns the building, taking the place of the Phoenix which left the building along said company (and can be seen in a couple of other buildings in Madrid that belong, or did, to the insurance holding, like the Gran Melia Fenix hotel, by Columbus’ square, or the Union y el Fenix building further up the Paseo de la Castellana, where it is crossed by a bridge, part of Eduardo Dato street, or the Madrid-Paris, also in Gran Via). The appeal and ornamental richness of the piece remain, howevever, intact. A little way up on the left hand side a Roman auriga, lifted above its chart for better view from the ground, looks ready to ride, soaring the skies of the city, on top of the Hispanic-American Bank. On a lower height he is watched by a worthy female counterpart: Palas Atenea, or Minerva, classic interpretation of the goddess of Knowledge and Arts, symbol of the Society of Arts, whose building protects, vigilant. As you walk along Gran Via or Alcalá in that same direction you fill find more examples in roofs and façades: temples (Callao square), Chariatides, gargoyles (dog faced, halfway through the first strand of Gran Via street a portal on the right hand side as you go up)…leaving Gran Via and Alcalá there are fantastic pieces above other buildings like the Ministry of Agriculture, in front of Atocha Train Station, or by the northwestern exit/entrance to the city, Moncloa, the Triumphal Arch, or, returning to Cibeles square, the angels holding the shield in Linares palace, or the allegories that sit high perched where this entry started in la Puerta de Alcala.
These were a few examples, I do not pretend to make an exhaustive list of items; I will be happy if I can just bring out from you that necessity of looking up high, and explore, that I am sure you too had in your days. Done? Good, then drop by my city, and take a stroll around, you will not regret it. Oh, don’t worry about skinned knees and sore shins: we have chemist and pharmacies aplenty, and you can find (or bring along) you tender caring one to tell you off and kiss the pain good bye.

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Tuesday, 8 April 2008

El Angel Caído: Monument to Lucifer


My beginnings in the tourism business took place on top of a panoramic hop on-hop off bus in Madrid, seven years ago, pointing out the most interesting spots to the tourists; we completed, depending on traffic and time of year, an average of seven tours a day and I worked there for about a year, which more or less adds to about 2000 trips round the city: enough to get you bored no matter how much you love your city and it’s beauties. Fortunately, every trip had a few rewarding moments where you could see something in the tourist face that made it worth it: expressions of awe, disbelief, admiration or simple always welcome fun. For most people, one of the most surprising details of their visit was finding out about the Fallen Angel. “And on this corner of El Retiro Park, further up that road to your right, you will find the only monument in the world dedicated exclusively to… Satan”. Best effect if there were kids on board and you lowered and hoarsened your voice as you revealed the starring character, eyes not blinking and gaze lost, in your best imitation of “Someone flew over the cuckoo’s nest”. I am not Robert Redford, you know, and combining the acting and my face resulted more than once in crying kids and angry mums, I swear!
The statue, which presents very recognisable helenistic, baroque and romantic influences, is a beautiful piece of work of a much more melancholic than terrifying nature. It can be also disquieting though, especially if you approach it in a clouded windy autumn afternoon and there seems to be nobody around but you and an evil looking boy wearing a cardigan. Damian? Is that you?...
The sculpture, inspired by some verses of Paradise Lost by John Milton, dates from 1877, and is signed by Ricardo Bellver, originally made in plaster cast and later molten to bronze by the Thiebaut-Fils house in Paris to fit the requirements of the Universal Expo of 1878 in the French capital. In 1879 was first placed in El Retiro and in 1880 a pedestal was designed and built in bronze and stone, presenting infernal faces to match the subject. The complete piece was inaugurated in 1885.
Want to know something weird about its location? Although measurement systems at the time were not nearly precise enough to notice this, the exact official altitude in meters from sea level of the fountain’s location is… you guessed it! 666, the number of the Beast! Awesome, right? (this is no joke or invention and there is a plaque in the ground, near the fountain, certifying this fact by the National Cartographical Institute).

(…)what time his Pride / Had cast him out from Heav'n, with all his Host Of Rebel Angels, (…) To bottomless perdition, there to dwell / In Adamantine Chains and penal Fire, (…) round he throws his baleful eyes / That witness'd huge affliction and dismay / Mixt with obdurate pride and stedfast hate (…)

John Milton, Paradise Lost, Book I, Chant I.

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